林其蔚LIN CHI WEI
其蔚：謝謝妳的邀請，我有點難想像田野錄音的服裝耶，如果是「夢想中的田野錄音」好像可以想像，但聲音與服裝，就完全在我的智力範圍之外了。
Chi-Wei: That’s such an interesting invitation — but honestly, I find it hard to imagine what field recording outfits could be like.
If it’s “dream field recording,” maybe I can picture something.
But the relationship between sound and clothing feels completely beyond the reach of my intellect.
嫀宜：那其蔚的「夢想中的田野錄音」是甚麼呢？
Qin-Yi: So, what is Chi-Wei’s version of “dream field recording”?
其蔚：這個和妳的題目不一樣可以嗎？
Chi-Wei: Is it okay if this differs from your original question?
嫀宜：可以的。
Qin-Yi: Yes, of course.
「夢想中的田野錄音」
Dream Field Recording
夢想中的田野錄音錄不下來，無法再現：
The dream field recording cannot be captured. It cannot be replayed.
像是 New Order 樂團《Dream Attack》一曲中所說：
Like the band New Order sings in “Dream Attack”:
「世間無物能及，我今晨夢中聽到的曲子。」
“Nothing in this world can touch the music I heard when I woke up this morning.”
對於一切尚未成形，卻呼喚所有的想像的各種聲音．．
It’s about all those formless, emerging sounds that summon our imagination.
初民部落的複音和聲，經過不知道自己聽到什麼的沼澤地。
The polyphonic harmonies of early tribes, drifting through a swamp that doesn’t even know what it’s hearing.
好像經過中學管弦樂團排練室，
Like passing by a high school orchestra rehearsal room—
同學們有一搭沒一搭的試著調音，
Students randomly tuning their instruments—
一切音樂俱尚未展開，卻又已經在那裡，
All music yet to begin, yet already present,
17歲少男女的狀態。
The state of seventeen-year-old boys and girls.