鄧莉莎 Lisa Teng
理想的實地錄音是一種狀態
The Ideal Field Recording is a State
理想的實地錄音是灰色的，帶有高透明度，易於漂浮與混色。
The ideal field recording is grey—highly transparent, easy to float and blend.
我想抹除自己非黑極白的執拗，任何灰階都可以是此刻，也能夠是彼方。
I wish to erase my obsession with stark black and white; any shade of grey can be this moment, and also the elsewhere.
帶上一組pick up，拿它來感應電流，讓電流恣意幻化成聲訊。
Bring along a pickup, use it to sense the current, letting it freely transform into sonic signals.
擁有一雙堅韌的鞋，停滯時不必感到害怕，行走時能聽見自己與質地的共振。
With a pair of resilient shoes—so that stillness is not to be feared, and in motion, one may hear the resonance between self and texture.
鞋底摩擦著礫石、泥濘或是其餘的無以名狀，我著迷於那樣的聲響軌跡。
The soles rub against gravel, mud, or other unnamable matter—I am captivated by such sonic traces.
當我暫停，我將慢慢變得幽微，不再發生任何雜訊。
When I pause, I shall gradually become subtle, no longer emitting any noise.
當我行走，不可避免地成為介入者，願我謙卑、心誠。
When I walk, I inevitably become an intruder—may I do so with humility and sincerity.
時時擦拭流動的感官與open ears。
Continually polish my flowing senses and open ears.
不必急著成為歌者。
There is no rush to become a singer.