朱文博Zhu Wenbo
感謝你的來信。 事實上，我並沒有太多實地錄音的經驗，這並不是我主要的音樂方向。或許正因如此，我其實沒有特別去思考過「服裝」這個問題。
「穿什麼都行」，這可以作為我的第一層回答； 如果衣服因此對聲音產生了影響（真的會嗎？），那麼這些聲音也就成為環境的一部分，這是我可以接受的，這是第二層回答； 至於「有什麼聲音是實地錄音中無法被接受的嗎？」這是我的第三層回答，或者說是一個提問。
我想，我會穿讓自己感到舒適的衣服，就像平常出門一樣。雖然沒有特別去思考，但潛意識裡應該也會做些篩選。 也許偶爾會特別注意，不穿容易產生摩擦聲的化纖材質衣物。不過，在我有限的幾次使用人頭麥克風錄音的經驗裡，我不確定自己的外衣領子是否碰到了麥克風的線……希望沒有吧。
另外想分享一次經驗。去年，我在一個比較敏感的地方錄音，為了不引起注意，我用了兩個便宜的小夾式麥克風。那天我穿著一件仿空軍制服的皮夾克，把錄音機放在衣兜裡，將兩個麥克風夾在皮夾克的肩章處。 或許，這算是我唯一一次，從服裝的角度去思考實地錄音的經驗。
Thank you for your letter. In fact, I don’t have much experience with field recording, as it’s not my main focus in music. Perhaps because of this, I haven’t particularly thought about the issue of "clothing."
"Anything works," could be my first answer. If my clothes end up affecting the sound (does that really happen?), then those sounds would simply become part of the environment, which I can accept—this would be my second answer. As for "are there any sounds that are unacceptable in field recording?"—this would be my third answer, or rather, a question I have.
I think I would wear clothes that make me feel comfortable, just like when I go out normally. Though I don’t consciously think about it, I guess I do subconsciously make some selections. Maybe occasionally, I would pay extra attention and avoid wearing synthetic materials that might create friction sounds. However, in my limited experiences using a binaural microphone for recording, I’m not sure if my outer collar ever brushed against the mic wires... I hope it didn’t.
I’d also like to share an experience. Last year, I recorded in a more sensitive location, and to avoid drawing attention, I used two cheap clip-on microphones. That day, I wore a faux military-style leather jacket, placed the recorder in my pocket, and clipped the two microphones onto the shoulder epaulettes of the jacket. Perhaps this was my only time considering clothing from the perspective of field recording.